When We Dip
  • News
  • Music
    • Premieres
    • Podcasts
    • Reviews
    • Playlists
  • Events
    • Africa / Asia / Oceania
    • Europe
    • North America
    • South America
    • United Kingdom & Ireland
  • Interviews
    • Dip Publishing Series
    • Dip Studio Series
    • Insider Insight
    • Interviews
    • Studio Tips
  • Genre
    • Afro House
    • Deep House
    • Disco
    • House
    • Indie Dance
    • Melodic House
    • Melodic Techno
    • Organic House
    • Progressive House
    • Tech House
    • Techno
  • XYZ
  • Arts & Culture
Alex Generis

Alex Generis inaugurates Love Is Loud with multi-dimensional new cut ‘Hell Is What You Make It’

REBRN x The Archer

REBRN & The Archer team up on There Is A Light with polished, late-night cut ‘Take A Ride’

Patrick Topping

Patrick Topping thrills on Joseph Capriati’s Metamorfosi with sleek groove across ‘Love Me’ EP

Sandi Basagic delivers immersive new single ‘Imperium Animae’ via Bar Melodia

Fairplay

Fairplay debut on WTR with contemporary afro cut ‘Amanzi’

Jojo Angel, Matteo Rosolare – 1967 EP [Review]

Francoys
Reviews
6 October 2016

A few months after the release of their This is B.R.O.N.X EP, the Daylight Robbery Records bosses Jojo Angel and Matteo Rosolare are back with a bang. Taking us back in time, the 1967 EP out on Amplified Records packs a powerful punch with a short but sweet number of tracks that deliver wavy basslines and hard hitting drops. Brace yourselves, it’s time to go back a few years.

Kicking off the EP is the title track 1967. An eerie sounding vocal sample asks us what happened in 1967, before being faded in and out to give that classic excited feel before the drop. Hi hats come in sporadically, leading into crashing cymbals as the driving, bouncy bassline is brought in. The groovy rhythm continues with a resonating echo in the background, providing that classic techy vibe that always delivers. Even people in the 60s would be raving out to this one.

Rounding off the EP is 1967 (Martinez and Quadelli remix). Using the same vocal sample, this track draws upon the acid house style to create a funky sounding bassline with a driving punch. The hi hats are set at a fast tempo, while the bassline moves from a low to high pitch, building the song up until the drop hits home hard. It’s a solid reworking of the original by the two lads from Manchester.

If anyone can advocate quality over quantity, then it’s the guys over at Daylight Robbery Records. In just two tracks the house music spectrum gets covered with naughty drops and driving basslines that stir up a dirty urge to dance. We said last time that these two would be smashing the scene for a while to come and, judging by this most recent EP, we were certainly right.

https://soundcloud.com/georgeangel/sets/ar015-jojo-angel-matteo-rosolare-1967-ep

Words by: Olly Gunns

Related

Alex Generis

Alex Generis inaugurates Love Is Loud with multi-dimensional new cut ‘Hell Is What You Make It’

REBRN x The Archer

REBRN & The Archer team up on There Is A Light with polished, late-night cut ‘Take A Ride’

Patrick Topping

Patrick Topping thrills on Joseph Capriati’s Metamorfosi with sleek groove across ‘Love Me’ EP

Sandi Basagic delivers immersive new single ‘Imperium Animae’ via Bar Melodia

Fairplay

Fairplay debut on WTR with contemporary afro cut ‘Amanzi’

Menu

  • Home
  • News
  • Interviews
  • Reviews
  • Events
  • Contact Us

Latest Posts

  • Another Taste
    Little Talk with Another Taste
  • Alex Generis
    Alex Generis inaugurates Love Is Loud with multi-dimensional new cut 'Hell Is What You Make It'
  • Maud Geffray
    Little Talk with Maud Geffray

Sign up for our Mailing List

Copyright © 2026 When We Dip
Website Designed & Developed by Emily Ridge