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Premiere: GROJ explores the space between beauty and power on Marginalia

Danny Snowden

Select Cuts 373 mixed by Danny Snowden

Makebo

Premiere: Makebo blends machine and emotion on his new track ‘Revival’

DJ Dove

Premiere: DJ Dove locks in the groove with ‘Malluly’, from his new album ‘The Underdog’ on Grind City Recordings

Kristin Velvet

Premiere: Kristin Velvet debuts on Hot Creations with crisp, two-track statement ‘Build That Beat’

Paolo Rocco Launches RAWMoments vinyl imprint with debut 12″ alongside Pijynman

When We Dip
House, News
6 December 2017

Montreal producer Paolo Rocco inaugurates the RAWMoments brand as a record label this week with a collaborative release alongside partner Pijynman. The label, in partnership with fellow Canadians Lessi S. and Pijynman, is a new venture, building on the success of the RAWMoments parties that have taken place in the city over the past few years. The debut record features two original cuts accompanied by two remixes from New York City’s Alix Alvarez and Berlin’s Diego Krause.  The 12″ showcases supremely the dubby house sound that has been fuelling the renowned Montreal parties in recent times. It’s already picked up much support from the likes of Enzo Siragusa and the Fuse London crew, while also being spotlighted by Mixmag and XLR8R. Check it the out below!

The RAWMoments crew mark the release of the debut record this weekend with back to back shows alongside special guest Watergate resident Stassy in Ottawa (Dec 8th) and Montreal (Dec 9th).

RAWM01 Release Date: December 5th. Buy here.

More Info: RAWMoments

Related

Premiere: GROJ explores the space between beauty and power on Marginalia

Danny Snowden

Select Cuts 373 mixed by Danny Snowden

Makebo

Premiere: Makebo blends machine and emotion on his new track ‘Revival’

DJ Dove

Premiere: DJ Dove locks in the groove with ‘Malluly’, from his new album ‘The Underdog’ on Grind City Recordings

Kristin Velvet

Premiere: Kristin Velvet debuts on Hot Creations with crisp, two-track statement ‘Build That Beat’

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