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Premiere: Culprit bosses Droog return to the label in new collaboration with Inxec

Thomas Gaboury-Potvin
News, Premieres
21 April 2018

Culprit bosses Droog return to the label as artists with another one of their impressive collaborations, following the “Lucent” release with Edu Imbernon last September. This time up the new music is from the artistic pairing that has, in many ways, defined Droog’s production output. Their musical kinship with the Nottingham native Inxec has been cultivated across nearly 8 years and in spite of vast distances that separate them.

Inxec & Droog’s very first song together, “Unhinged” for Crosstown Rebels, set the sonic tone for the collaboration. It’s unabashedly emotive modern mid-tempo techno, brooding yet soulful, harmonic but, at times, dissonant and off-kilter too. The team’s music always strives for originality above all, forsaking the fruitless chase of trends. The three new originals on the “Din” EP show off Inxec & Droog’s range: “Monstar” is one of their brashest, most upbeat tracks, riding a dynamic acid-y bass synth riff, a vocal sample straight out of left field, and a syncopated beat. “Bodyless” is the flip side of the coin – all deep melodic poise, evoking a gentle sense of euphoria. If “Monstar” is the party-starter, “Bodyless” is the remedy for the post-party comedown. “Dega” splits the difference, balancing big pads and a melodic hook with punchy percussion and a rumbling low end.  We are honored to premiere ‘Bodyless’, you can listen below.

Release Date: April 27th.

Follow: Droog // Inxec // Culprit

Related

Federico Scavo

Premiere: Federico Scavo and Francesco Palla turn up the heat with ‘Beat Beat’ on AREA 94 Records

Nicolas Rada

Premiere: Nicolas Rada takes flight with ‘Febo’ on Global Underground

Viktop

Premiere: Viktop lifts Loot Recordings a mile high with ‘Mile High Dreams Of You’

Michael Canitrot & Yana Mann

Premiere: Michael Canitrot and Yana Mann polish a ‘Diamond’ for Purified Records

Maze 28

Premiere: Maze 28 keeps Movement Recordings moving with ‘The Observer’

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