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Premiere: George Privatti goes hard on Sanchez (UK)’s ‘Duro’ for Time Bandits

Ben Biron

Premiere: Ben Biron flips the script on Grapes with his ‘Guess What’ remix

Anthymia, Ilias Katelanos

Premiere: Ilias Katelanos and ANTHYMIA find their wings on Amulanga

Timelapse & Adran

Premiere: Timelapse and Adran sound so good on AXEPT

ELIF

Premiere: ELIF gets glitchy on ‘Fast Line’ for Marginalia

Premiere: Rebuke follows up with another EP backed with a remix from Harry Romero

Thomas Gaboury-Potvin
Premieres, Tech House
12 July 2018

Rebuke follows up his striking debut for Nic Fanciculli’ Saved with another stunning EP, backed up with a remix from house royalty in Harry Romero. Rebūke may be a new name to most but he’s already making all the right moves, with his debut ‘EP1′ having dropped on Nic Fanciulli’s Saved imprint back in January. Yet again SOUP NYC are ahead of the curve in signing promising new talent, with Rebuke’s ‘Far Out EP’ dropping just in time to light up summer dance floors around the world. Title track ‘Far Out’ is a frenetic dance floor heater, with scything percussion and whirling strands of synths and vocals combining to create a cataclysmic breakdown that will stand out in even the most visceral of sets. House legend Harry Romero does what he does best on the remix, reigning things in a touch in a taut, bubbling hypnotic groove. Playing us out, ‘Sometimes’ is a seething, tense, techy affair: before whirling, looped vocals and metallic synth lines once again lead us to heady dance floor oblivion. You can listen to the full premiere of ‘Far Out’ below. Enjoy !

Release Date: July 13th. Buy here.

Follow: Rebuke // SOUP

Related

Premiere: George Privatti goes hard on Sanchez (UK)’s ‘Duro’ for Time Bandits

Ben Biron

Premiere: Ben Biron flips the script on Grapes with his ‘Guess What’ remix

Anthymia, Ilias Katelanos

Premiere: Ilias Katelanos and ANTHYMIA find their wings on Amulanga

Timelapse & Adran

Premiere: Timelapse and Adran sound so good on AXEPT

ELIF

Premiere: ELIF gets glitchy on ‘Fast Line’ for Marginalia

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