When We Dip
  • News
  • Music
    • Premieres
    • Podcasts
    • Reviews
    • Playlists
  • Events
    • Africa / Asia / Oceania
    • Europe
    • North America
    • South America
    • United Kingdom & Ireland
  • Interviews
    • Dip Publishing Series
    • Dip Studio Series
    • Insider Insight
    • Interviews
    • Studio Tips
  • Genre
    • Afro House
    • Deep House
    • Disco
    • House
    • Indie Dance
    • Melodic House
    • Melodic Techno
    • Organic House
    • Progressive House
    • Tech House
    • Techno
  • XYZ
  • Arts & Culture
Salomé

Premiere: Salomé stuns on Saisons Musique’s ‘Ensemble III’ VA with refined ‘Cloud 9’

Martin Cozar

Premiere: Martin Cozar returns to Kiosk ID with visceral futurism across four-track ‘My Mind EP’

John Monkman

Premiere: John Monkman joins Henri Bergmann’s Automatik with kinetic new cut, ‘ALPHA’

Remcord Around Midnight

Premiere: Remcord reworks Raul Facio’s ‘Big City Blues’ into dark, immersive gem on Around Midnight

Angel Heredia

Premiere: Repopulate Mars marks ‘Planet Rumba Vol 2’ VA with infectious, Latin-infused weapons from Angel Heredia, Fenky, Skonka, & more

Premiere: Brian Cid gives his magic touch to Henry Saiz & Band once again on Natura Sonoris

Thomas Gaboury-Potvin
News, Premieres, Progressive House
14 August 2018

Unstoppable Henry Saiz & Band keep releasing a near constant stream of extremely high-quality music on his label Natura Sonoris and their latest offering is really a joy to behold. Taken from their recently released world-travelling album ‘Human’, ‘Me Llama Una Voz’ is a song representing Argentina that brings form to something dreamlike. Just like the whole album has the ability to travel around the world, this track does its job and really takes you to those Argentinian Andes it was inspired by getting you exactly where it’s going thanks to its tangible emotion, breathy vocals and heady, ethereal production. Two outstanding remixes that complete the package are not the ones to miss. First of all, one of them is by Hernan Cattaneo & Audio Junkies. The other one is by Brian Cid. Ultimately what you have here is completely transformed remixes that are easy on the ears and technologically transfixing. Vibes on vibes on vibes. Perfect for late night forays into the underground.

Custom made for 3 am in a dimly lit club, Brian Cid’s remix is an eleven-minute long soundscape with a truly delicate and featherlike quality.  This rework is held together by an atmospheric tension that makes this song ready for the dancefloor. Thanks to its mesmerizingly expansive synths and gently rumbling bassline it evokes feeling of serenity and creates the disparate musical underworld. The balance and mystery this remix comprises is simply undeniable. You can listen to the full premiere of Brian Cid’s remix exclusively on When We Dip. Enjoy !

Release date : August 17th, 2018. Buy Here

Follow: Brian Cid // Henry Saiz // Natura Sonoris

Related

Salomé

Premiere: Salomé stuns on Saisons Musique’s ‘Ensemble III’ VA with refined ‘Cloud 9’

Martin Cozar

Premiere: Martin Cozar returns to Kiosk ID with visceral futurism across four-track ‘My Mind EP’

John Monkman

Premiere: John Monkman joins Henri Bergmann’s Automatik with kinetic new cut, ‘ALPHA’

Remcord Around Midnight

Premiere: Remcord reworks Raul Facio’s ‘Big City Blues’ into dark, immersive gem on Around Midnight

Angel Heredia

Premiere: Repopulate Mars marks ‘Planet Rumba Vol 2’ VA with infectious, Latin-infused weapons from Angel Heredia, Fenky, Skonka, & more

Menu

  • Home
  • News
  • Interviews
  • Reviews
  • Events
  • Contact Us

Latest Posts

  • Robert Owens & Groovecreator
    Groovecreator launched his first-ever ‘X Sessions’ with an exclusive back-to-back with Robert Owens in NYC
  • Sacha Robotti, SYREETA, Blakkat, & Mikey V unlock next chapter of 'I Robotti' LP on DIRTYBIRD
  • SIAN & Hiroko Yamamura reunite on Octopus Recordings with no-frills, Chicago-tinged techno via 'Set You Free'

Sign up for our Mailing List

Copyright © 2025 When We Dip
Website Designed & Developed by Emily Ridge