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Predex

Premiere: Predex stuns on Marginalia with contrasting, forward-thinking debut LP, ‘Momentum’

Sam Holland

Prima Lux mixed by Sam Holland

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Premiere: Long-time friends and sonic sparring partners Steve Bug and Cle return to Rejected

Thomas Gaboury-Potvin
News, Premieres, Tech House
28 September 2018

A year after ‘Together / That’s Right’, long-time friends and sonic sparring partners Steve Bug and Cle return to Rejected with two more statements of timeless intent that tap into the classic foundations of true techno story telling.

Long builds, emotional chords, layers and narrative twists are the devils in the detail as the pair present another couple of ageless hypnotic trips: The craftily titled ‘Tweaky Blinders’ takes the lead with its sombre one stroke chords whispering over the robust kicks and salubrious subs while the wily acid flurries between the spaces. Stately, immersive and coded with sentiment; drop it and watch the crowd march in unison.

The equally wryly titled ‘Bark Side Of The Moog’ follows suit. Once again there’s a solemn air to the chords as they sway with pensive poignancy. This time the drum arrangement is much more full frontal and unavoidable. Rolling with a sense of momentum that’s almost mid 90s prog in its energy, shine and behaviour, yet again Steve and Cle have nailed the timeless feel. Hopefully this will become an annual thing and they’ll return to Rejected for another round this time next year… You can listen to the full premiere of ‘Bark Side Of The Moog’ exclusively on When We Dip. Enjoy !

Release date : September 28th, 2018. Buy Here

Follow: Steve Bug // Cle // Rejected

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Predex

Premiere: Predex stuns on Marginalia with contrasting, forward-thinking debut LP, ‘Momentum’

Sam Holland

Prima Lux mixed by Sam Holland

Leon

Premiere: LEON lands on Enzo Siragusa’s LOCUS with simmering ‘Parallel Lines’ EP

Vhyce

Premiere: Vhyce delivers sun-kissed house heat on Pets Recordings across ‘Landscape of Longing’ EP

mredrollo

Premiere: Dreaming Awake enlists mredrollo for breathtaking rework of Bjorn Salvador’s ‘Recuperation’

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