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When We Dip 177 mixed by Budakid

Select Cuts 343 mixed by Los Suruba

Prima Lux mixed by The Scripture

Bákayan

Select Cuts 342 mixed by Bákayan

Loco Dice

Loco Dice drops genre-melding musical statement via 14 track, stacked collab album, ‘Purple Jam’

Select Cuts 210 mixed by Tim Taylor

Thomas Gaboury-Potvin
Podcasts, Select Cuts, Tech House
12 May 2021

Tim Taylor is rapidly building a reputation for dark moody basement cuts, with releases on some of the most respected imprints in the game Deeperfect, WYLD, La Pera, Blanc, Data Transmission, Cr2, and District 9. Tim’s release on La Pera made everyone sit up and take notice, titled ‘Everybodies Talking’. The EP smashed its way into the Beatport Top 50 while amassing in excess of 200K streams. If this wasn’t enough Tim has also released a slew of exciting edits, namely his edit of Michael Jackson’s ‘Billie Jean’ which has racked up a whopping three million plays, further outlining why there is such a buzz around this precocious kid from the North West of England.

Tim has fast cultivated a loyal legion of fans including support from industry heavyweights Jamie Jones, Camelphat, Michael Bibi and Latmun, with the number of fans wanting a piece of the action, rising rapidly. This has led him to play at renowned venues Buyers Club, Gorilla, Invisible Wind Factory, Joshua Brooks, South, Sunbird Records, Tank and 93 Feet East. Also a packed schedule for the rest of 2021, will see Tim embark on a UK tour playing the length and breadth of the country.

It is easy to see why Tim has become a firm favourite in the underground tech house scene with everyone clamouring to witness the rise of a true underground talent, Tim’s story is only just beginning… Enjoy this exclusive mix he recorded for our Select Cuts series.

Related

When We Dip 177 mixed by Budakid

Select Cuts 343 mixed by Los Suruba

Prima Lux mixed by The Scripture

Bákayan

Select Cuts 342 mixed by Bákayan

Loco Dice

Loco Dice drops genre-melding musical statement via 14 track, stacked collab album, ‘Purple Jam’

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