London-born, Ibiza-based DJ/producer Cameron Jack has quickly become a name on the up, having been championed heavily by Crosstown Rebels’ founder Damian Lazarus, as well Blond:ish and Lee Burridge. While still young in his musical journey, 2024 has seen him sharing stages with heavyweights such as Seth Troxler, Jamie Jones and DJ Tennis. His five-show residency at Hï Ibiza coupled with appearances at Extrema Outdoor, PHAEX Festival, Get Lost Mexico and Fabric London as well as an upcoming Asia tour to round off the year, has cemented his rise as one house music’s most in-demand up-and-comers. Having previously appeared on the label as part of Crosstown’s SPIRITS VA series, and adding to releases via Knee Deep In Sound, Abracadabra Music, and All Day I Dream, Cameron now returns to Lazarus’ brainchild with his first EP on the label as he unveils a refined exploration of his late-hours sound with ‘The Late Shift’.

“‘The Late Shift’ EP is inspired by all that I love on the dancefloor. It is deep, it has groove, and with Liz’s spoken word vocals, it has sex. Rather than big, hands-in-the-air pull-your-phone-out moments, it is all about keeping the energy of the dancefloor rolling. I’m super proud of this EP and how it represents me as an artist at this moment in time. I couldn’t be happier to be releasing it on Crosstown Rebels, a label that I have built such a close bond with over the last few years.” – Cameron Jack.

The EP kicks off with two collaborations featuring singer/songwriter Liz Cass, whose vocal talents have graced tracks from Hot Since 82 to Nora En Pure. The opening track, ‘Dusk Till Dawn,’ pairs deep, rolling grooves with Liz’s seductive spoken word vocals, setting the tone for the late-night atmospheres that define the release. ‘Move Your Body’ follows, with driving rhythms and infectious energy, inviting listeners to get lost in dancefloor moments. On the flip side, Cameron showcases his prowess further with ‘Get High And Dance,’ bringing a captivating fusion of rolling percussion grooves and playful tones, before ‘Won’t You?’ rounds out the EP with another drum-led workout perfect for keeping dancers in motion.