Fractal Mechanics is the progressive house and deep electronic alias of Kolkata-based producer and DJ Rayomand Engineer, known for releases on labels such as Sound Avenue, Future Avenue, RYNTH, Particles, Submarine Vibes, and Gentlemen Lounge Records. After six years of releasing music under his own name, Rayomand launched Fractal Mechanics in 2025 to explore the deeper, darker shades of progressive house.

A classically trained musician, he studied piano, violin, and music theory under his father, the late Mr. Sam F Engineer, a pioneer of Western classical music in Kolkata. With Fractal Mechanics, Rayomand channels that foundation into an immersive sonic experience—one that invites listeners to lose themselves both on the dancefloor and within.

We caught up with him to discuss embracing his darker side, his debut EP under the new alias, his plans for for the project, and more!

WWD: Rayomand, many know you for your releases on Future Avenue, RYNTH, Particles, and other respected labels. Can you tell us what inspired you to launch your new project, Fractal Mechanics?

Fractal Mechanics came from a very personal need to explore the darker, more hypnotic side of my sound. As Rayomand, my music leaned toward organic textures and melodic grooves, but I felt a pull to dig deeper into progressive structures, layering, and storytelling. 

The new project is my way of separating that evolution — a space where I can fully embrace complexity, emotion, and the kind of depth I’ve always admired in artists like DAVI, Martin Fredes and more. Depth is crucial—without it, I can’t connect with the music or move forward creatively. If a piece of music doesn’t have depth then I cannot identify with it and I cannot move forward. 

WWD: How does Fractal Mechanics differ sonically and conceptually from the music you’ve released under your own name?

 As Rayomand, I was focused on organic warmth and earthy instrumentation. The music was groovy, natural and free-flowing. Fractal Mechanics is about architecture and movement — more mechanical yet fluid, like patterns that repeat infinitely. Sonically, it’s deeper, darker, more groove-driven, and designed to create immersive journeys rather than just moments. Conceptually, it’s about exploring the balance between chaos and order — a darker more driven progressive sound that I can fine tune and call my own. Hence it is very different from Rayomand. If Rayomand was all about melancholia, love and organic house, Fractal Mechanics is more about deep, dark, melodic and driving progressive house. 

WWD: Your debut EP ‘Meeting Deeva’ on Polyptych Limited introduces the Fractal Mechanics project to the world. What inspired the creative direction behind the two tracks, ‘Meeting Deeva’ and ‘Mind Against?’

‘Meeting Deeva’ started with a bassline and a kick drum. I was just doodling in Ableton when I got this really dark but dancey groove going. I took it forward from there, added more melodic elements and effects and that’s how the track took shape. Once that was complete I tightened the groove a little bit because I wanted it to work on the dancefloor as well as during solitary listening sessions .

‘Mind Against’ was more of an experiment in tension and release. I wanted a groove that felt hypnotic but kept shifting subtly, pulling listeners deeper into the loop. The name reflects that inner dialogue we all have when the mind pulls in different directions. 

‘Mind Against’ was the perfect B side to ‘Meeting Deeva.’

Once both tracks were completed I sent them to Polyptych Limited White and thankfully got a response and both were signed almost immediately.

WWD: Progressive and melodic house are genres that thrive on atmosphere and storytelling. What kind of emotions or imagery did you want listeners to experience when hearing this EP?

I wanted the listeners to feel like they were stepping into a vast landscape at night — mysterious, meditative, and full of hidden details that only reveal themselves over time. The aim was to evoke both introspection and momentum, something you could lose yourself in on the dancefloor but also connect with emotionally in solitude. I want my listeners to both dance and vibe—experiencing a spectrum of emotions on the dancefloor or in solitude.

WWD: You’ve built a strong catalog across labels like Submarine Vibes and Gentlemen Lounge Records. Looking back, how do you feel your past experiences shaped the direction of Fractal Mechanics?

Every release as Rayomand taught me something about patience, layering, and trust in the process. Working with organic house labels gave me a strong sense of groove and atmosphere, which I carried forward. It also taught me a lot about sending my music to labels, how to pitch my art to them, handle rejection or acceptance, etc. 

But with Fractal Mechanics, I’m channeling those lessons into a more progressive mindset — longer arcs, deeper storytelling, and bolder textures. For Fractal Mechanics, the direction was all about progressive house, storytelling, deep, dark textures and more. 

WWD: The name Fractal Mechanics itself is intriguing. What does it represent for you, and how does it tie into your vision for the project?

The name comes from my fascination with fractals — infinite patterns found in nature that reflect both chaos and order. Music, for me, is very much the same: small motifs that repeat, evolve, and expand into something much larger. The “mechanics” represent the structure that holds these infinite variations together. It’s both spiritual and technical — exactly how I see my music.

I was searching for an artist name that would do my music justice. It had to be dark, dancefloor oriented, progressive and identifiable. That’s how Fractal Mechanics came into being. I wanted the name to be relatable. I want a situation where if they’re listening to a Fractal Mechanics track, they can immediately clock it as a Fractal Mechanics track within the first 30 seconds. 

WWD: The EP feels very layered and detailed. Do you have a particular workflow or production philosophy when it comes to creating such intricate soundscapes?

My philosophy is to start simple and let the track evolve naturally, let it breathe.  I usually begin with a strong groove — kick and bass — then gradually introduce elements that feel organic but processed in a way that adds depth. I spend a lot of time on subtle automation and reverb tails, things you may not notice directly but that create an immersive space. It’s less about stacking sounds and more about creating a dialogue between them. The elements need to talk to each other and there has to be a certain flow. If that is not there then I find it very difficult to proceed. 

WWD: Collaboration and community are a big part of the progressive scene. Are you planning to bring other artists into the Fractal Mechanics project, or do you envision it as a purely solo endeavor?

For now, Fractal Mechanics is very personal and solo-driven, but I’m always open to collaboration with artists who share a similar vision. I see collaborations as opportunities to expand the mind— new patterns forming from two creative minds. So while the core identity will remain mine, I wouldn’t rule out features, remixes, or even live collaborations in the future.

WWD: Polyptych Limited is a label with a clear artistic identity. What drew you to release this first Fractal Mechanics EP with them?

Polyptych has always been a label I respected for its consistency in delivering deep, progressive music with character. Their aesthetics matched perfectly with what I wanted for Fractal Mechanics — layered, melodic, and forward-thinking. It felt natural to debut the project with them because they understand the balance between underground credibility and emotional resonance. For me, Polyptych Limited White was the first choice and once I got signed by them I stopped thinking about anything else. 

WWD: Looking ahead, what’s next for Fractal Mechanics? Can fans expect live sets, more EPs, or maybe even an album in the future?

The vision is long-term. More EPs are definitely on the horizon, and I’m experimenting with ideas that could evolve into fresh, deep, dark, groovy, danceable tracks. I will also be preparing a live setup with Ableton and hardware controllers to bring Fractal Mechanics fully to the stage. The project is about growth—expect it to keep evolving, one layer at a time.

WWD: Sounds amazing! Thanks for the chat 🙂 

The ‘Meeting Deeva’ EP is available here