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Premiere: George Privatti goes hard on Sanchez (UK)’s ‘Duro’ for Time Bandits

Ben Biron

Premiere: Ben Biron flips the script on Grapes with his ‘Guess What’ remix

Anthymia, Ilias Katelanos

Premiere: Ilias Katelanos and ANTHYMIA find their wings on Amulanga

Timelapse & Adran

Premiere: Timelapse and Adran sound so good on AXEPT

ELIF

Premiere: ELIF gets glitchy on ‘Fast Line’ for Marginalia

Premiere: Detlef is back on Moon Harbour

Thomas Gaboury-Potvin
News, Premieres, Tech House
5 November 2019

Detlef is having a huge 2019 that only gets bigger with the release of his next EP on Moon Harbour – another essential two tracker. 

This Greek star has been releasing with this label since 2013 and this year alone has also stepped out on Relief (with a big tune featuring Dajae) and Repopulate Mars. DJs and dancers alike cannot get enough of his high powered, characterful tech house and he’s had well over four million streams on Spotify. Because of this, he is very much the face of the contemporary scene. 

The hard-hitting ‘Rock It’ opens the EP with poppy vocal stabs that will send people wild. They’re layered up over drilling bass, with razor sharp hi hats and rolling adding a slick sense of swing. ‘Bout Time’ is then another perfect driving track with whirring machines and big billowing bass sounds. It is a brilliantly muscular bit of house that will really pop off. 

Once again here Detlef manages to combine dance floor drive with the sort of special tricks and effects that really make his tunes stand out. You can listen to the full premiere of ‘Bout Time’ exclusively on When We Dip. Enjoy!


Release date : November 7th, 2019. Buy Here

Related

Premiere: George Privatti goes hard on Sanchez (UK)’s ‘Duro’ for Time Bandits

Ben Biron

Premiere: Ben Biron flips the script on Grapes with his ‘Guess What’ remix

Anthymia, Ilias Katelanos

Premiere: Ilias Katelanos and ANTHYMIA find their wings on Amulanga

Timelapse & Adran

Premiere: Timelapse and Adran sound so good on AXEPT

ELIF

Premiere: ELIF gets glitchy on ‘Fast Line’ for Marginalia

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