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Premiere: Henry Saiz & Band gets remix treatment by Karmon

Thomas Gaboury-Potvin
Melodic Techno, News, Premieres
2 December 2020

Following their standout crowdfunded audiovisual album ‘Human‘ that was released back in 2018, Henry Saiz & Band now present the full spectrum of their dancefloor-friendly sound they have been delivering at all of their live shows.

First premiered at the Henry Saiz & Band pres. Mirage 02 Live Edition event in Buenos Aires last year, ‘Just A Mirage‘ is now getting an official release on Natura Sonoris paired with the outstanding remix by the Dutch dj and producer Karmon.

‘Just A Mirage’ features a welcoming softness and a melody that feels light, a rhythm that feels airy yet has an infectious and dynamic vibe to it, lush synths, charismatic vocals and overall haunting charm. It’s an opus for the dancefloor captivating from the very first moment.

On the flipside, Karmon reinvents the original with his own unique tinge increasing the tension and delivering a remix that will lure you to that sweet spot on the dancefloor. Always flirting with a moody and hypnotic groove that draws the listener in, here Karmon extracts maximum value. Hop on this euphoric ride if you’re in for a thrill.

Henry Saiz & Band remain where they’ve always been: in their own unique lane, serving up some truly majestic electronic music with personality, making you hope more than conventional reality usually allows.

Youcan now listen to the full premiere of Karmon’s remix exclusively on When We Dip. Enjoy!

Release Date: December 4th, 2020. Buy Here

Follow: Karmon // Henry Saiz // Natura Sonoris

Related

Peres

Premiere: Peres weaves emotion and groove into a spellbinding ‘Mirra’

Cristoph

Premiere: Cristoph flips his own ‘Looks Like I’m Waiting’ into hypnotic after-hours gem

Atjazz

Premiere: Atjazz turns AWEN & Daniel Rateuke’s ‘Hustler’ into soulful late-night spell

Hyunji-A

Premiere: Hyunji-A returns to keep my letters with heartfelt introspection across ‘Neon Lights’ EP

Caroline Letho

Prima Lux mixed by Caroline Lethô

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