When We Dip
  • News
  • Music
    • Premieres
    • Podcasts
    • Reviews
    • Playlists
  • Events
    • Africa / Asia / Oceania
    • Europe
    • North America
    • South America
    • United Kingdom & Ireland
  • Interviews
    • Dip Publishing Series
    • Dip Studio Series
    • Insider Insight
    • Interviews
    • Studio Tips
  • Genre
    • Afro House
    • Deep House
    • Disco
    • House
    • Indie Dance
    • Melodic House
    • Melodic Techno
    • Organic House
    • Progressive House
    • Tech House
    • Techno
  • XYZ
  • Arts & Culture
Salomé

Premiere: Salomé stuns on Saisons Musique’s ‘Ensemble III’ VA with refined ‘Cloud 9’

Martin Cozar

Premiere: Martin Cozar returns to Kiosk ID with visceral futurism across four-track ‘My Mind EP’

John Monkman

Premiere: John Monkman joins Henri Bergmann’s Automatik with kinetic new cut, ‘ALPHA’

Remcord Around Midnight

Premiere: Remcord reworks Raul Facio’s ‘Big City Blues’ into dark, immersive gem on Around Midnight

Angel Heredia

Premiere: Repopulate Mars marks ‘Planet Rumba Vol 2’ VA with infectious, Latin-infused weapons from Angel Heredia, Fenky, Skonka, & more

Premiere: Tim Engelhardt is remixing The Organism ‘Gipsy’ on Eleatics Records

Thomas Gaboury-Potvin
Melodic Techno, News, Premieres
27 February 2019

Where there is a stout and strong spiritual power behind the artist’s mind and the bright interest to bring the originality to the music, the uniqueness comes out as an outcome. Ukrainian artist The Organism is the entire example of what is said: multigenred, always unpredictable producer with the signature style embracing the best of hypnotic bass vibrations, the exciting vocals and the mystic ethnic sounds. Last year The Organism gained massive support thanking to his ‘Reflection’ track which was played by Solomun, Ame, Dixon which is pretty enough to say at this point, not saying about a line of dancefloors worldwide. The producer now release is new ‘Gypsy’ EP on Eleatics Records.

Main title track has already impressed the thousands of people dancing to Diynamic’s boss Solomun at his Cercle set at Théâtre Antique: dotty and accurate bass of the track comes out as a great platform of the whole track’s mellow structure which is the perfect combination of the groovy and tense house beat with the melodic leitmotif. Non less than the electronic prodigy – that’s how we can briefly describe Tim Engelhardt who is remixing ‘Gypsy’. German producer who has so far released his music at such world renowned imprints as Steve Bug’s Pokerflat, fryhide curated by HOSH, John Digweed’s Bedrock which are the main but far not all on Tim’s achievements list. Tim’s remix is a steady filler of electric filtered bass which comes as a bone of this brilliant version. You can listen to the full premiere of this remix exclusively on When We Dip. Enjoy !

Release date : March 4th, 2019. Buy Here

Follow: Tim Engelhardt // The Organism // Eleatics Records

Related

Salomé

Premiere: Salomé stuns on Saisons Musique’s ‘Ensemble III’ VA with refined ‘Cloud 9’

Martin Cozar

Premiere: Martin Cozar returns to Kiosk ID with visceral futurism across four-track ‘My Mind EP’

John Monkman

Premiere: John Monkman joins Henri Bergmann’s Automatik with kinetic new cut, ‘ALPHA’

Remcord Around Midnight

Premiere: Remcord reworks Raul Facio’s ‘Big City Blues’ into dark, immersive gem on Around Midnight

Angel Heredia

Premiere: Repopulate Mars marks ‘Planet Rumba Vol 2’ VA with infectious, Latin-infused weapons from Angel Heredia, Fenky, Skonka, & more

Menu

  • Home
  • News
  • Interviews
  • Reviews
  • Events
  • Contact Us

Latest Posts

  • Robert Owens & Groovecreator
    Groovecreator launched his first-ever ‘X Sessions’ with an exclusive back-to-back with Robert Owens in NYC
  • Sacha Robotti, SYREETA, Blakkat, & Mikey V unlock next chapter of 'I Robotti' LP on DIRTYBIRD
  • SIAN & Hiroko Yamamura reunite on Octopus Recordings with no-frills, Chicago-tinged techno via 'Set You Free'

Sign up for our Mailing List

Copyright © 2025 When We Dip
Website Designed & Developed by Emily Ridge