When We Dip
  • News
  • Music
    • Premieres
    • Podcasts
    • Reviews
    • Playlists
  • Events
    • Africa / Asia / Oceania
    • Europe
    • North America
    • South America
    • United Kingdom & Ireland
  • Interviews
    • Dip Publishing Series
    • Dip Studio Series
    • Insider Insight
    • Interviews
    • Studio Tips
  • Genre
    • Afro House
    • Deep House
    • Disco
    • House
    • Indie Dance
    • Melodic House
    • Melodic Techno
    • Organic House
    • Progressive House
    • Tech House
    • Techno
  • XYZ
  • Arts & Culture
Chilly Gonzales Plastikman
Osadon

Osadon returns to his own label So Chic with vibrant tech house flair on ‘Serenada’

Limara

Limara lands on Amulanga with deeply hypnotic cuts across 5-track ‘Grace’ EP

Martin Serbali

Martín Serbali steps onto Synthesis Recordings with precise, powerful cuts across ‘Evoked Mind / Oblivion’ EP

Jeff Mills

Jeff Mills’ 1995 ‘Live at Liquid Room’ in Tokyo goes digital exclusively on Apple Music

Nick Stoynoff

Blake Jarrell relaunches Concentration with three powerful remixes of Nick Stoynoff’s ‘Deserve’

Chilly Gonzales reimagines Richie Hawtin’s seminal ‘Consumed’ Album on Turbo Recordings

When We Dip
Alt/Electronica, Minimal / Deep Tech, Reviews
2 March 2022

Worlds collide as Tiga’s Turbo Recordings brings two titans of the musical ecosystem together on ‘Consumed In Key’. Richie Hawtin’s seminal Plastikman album has been reimagined by revered pianist Chilly Gonzales and is set for a digital and deluxe triple vinyl LP release on April 1st, 2022. The precluding single ‘Contain (In Key)’ is out now – listen via the link below.

Originally released on Hawtin’s Minus label in 1998, ‘Consumed’ was profoundly influential, defining the soon-to-emerge minimal movement and counting among its biggest fans creative, cultural icons such as sculptor Anish Kapoor, fashion designer Raf Simons and two decades later entertainer Chilly Gonzales.

After hearing ‘Consumed’ for the first time shortly after the album’s 20th anniversary, Chilly felt that the record’s loose use of melody and negative space threatened his musical sensibility. Furthermore, the album’s unique timing structure and flow fuelled his curiosity and pushed him towards an idea of composing accompanying piano pieces (counterparts) for each of the tracks. It would not be a remix. It would be one composer instinctively reacting to – and finding space within – another composers already completed work. As an experiment, Chilly completed a series of demos and later mentioned it to his friend Tiga.

Stream/Pre-order the vinyl here

Related

Osadon

Osadon returns to his own label So Chic with vibrant tech house flair on ‘Serenada’

Limara

Limara lands on Amulanga with deeply hypnotic cuts across 5-track ‘Grace’ EP

Martin Serbali

Martín Serbali steps onto Synthesis Recordings with precise, powerful cuts across ‘Evoked Mind / Oblivion’ EP

Jeff Mills

Jeff Mills’ 1995 ‘Live at Liquid Room’ in Tokyo goes digital exclusively on Apple Music

Nick Stoynoff

Blake Jarrell relaunches Concentration with three powerful remixes of Nick Stoynoff’s ‘Deserve’

Menu

  • Home
  • News
  • Interviews
  • Reviews
  • Events
  • Contact Us

Latest Posts

  • Amirali
    Select Cuts 361 mixed by Amirali
  • Osadon
    Osadon returns to his own label So Chic with vibrant tech house flair on 'Serenada'
  • Limara
    Limara lands on Amulanga with deeply hypnotic cuts across 5-track 'Grace' EP

Sign up for our Mailing List

Copyright © 2026 When We Dip
Website Designed & Developed by Emily Ridge