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Viken Arman
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Viken Arman enchants on Cercle Records with introspective ‘The Light At The End’ EP

Rebecca Besnos
Organic House, Reviews
16 April 2026

Viken Arman unveils ‘The Light At The End’ on Cercle Records, a two-track EP that leans into introspection without losing its sense of forward motion. Out April 16th, the project explores themes of memory, absence, and emotional release, carried through Arman’s signature blend of organic electronica.

Opening track ‘The Light’ sets the tone with a slow, steady build – less about impact, more about atmosphere. It unfolds patiently, layering soft textures and subtle rhythmic elements that feel almost meditative. There’s a sense of warmth running through it, like a quiet tribute, never tipping into melodrama but still carrying emotional weight.

‘At The End’ shifts things slightly outward. It’s more abstract, leaning into broken rhythms and a looser, more cosmic structure. The breakbeat elements add movement, but the track still feels suspended in space—less grounded, more exploratory. Where the first track feels intimate and reflective, this one opens things up, pushing toward something less defined.

As a whole, ‘The Light At The End’ sits somewhere between ambient, downtempo, and experimental electronica. It’s not built for peak-time moments, but rather for those in-between spaces – early mornings, late nights, or anywhere you’re willing to slow down and sit with it.

As Arman puts it: “The Light is not about the end. It’s about what appears when you accept to keep walking in the dark.”

‘The Light At The End’ EP is available here.

Related

ANNA

ANNA & Freedom Fighters unite on Cercle Records with enchanting new cut, ‘Bloom’

Waxman

Waxman (CA) returns to Where The Heart Is with warm progressive pulse via ‘Rainy Days’ EP

Cristina Tosio

Cristina Tosio joins Deer Jade’s I AM YOU with edgy, indie-infused new ‘Cosmic Butterfly’ EP

Eli Fola

Eli Fola blends prayer and dancefloor ritual on Tech Afrique with ‘Adoration’

GEØVHÄN

Premiere: GEØVHÄN unveils ‘Harmonia’ on The Soundgarden

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