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Acid Pauli & Stimming

André Moret returns to Sprout with groove-focused subtlety across the ‘Sephira’ EP

AREUBLUE returns to Beats on Time blending Balochi folk traditions with modern club elements via ‘Jiye’

Luc Angenehm explores deeper shades of electronic music across four-track ‘Malone’ EP via Bespoke Musik

Jon Who Jon Who joins forces with GEORGE ANTHONY MUSIC for piano-driven, feel-good house cut ‘Glass Houses’

Sofian debuts on mobilee records with distinct, immersive dancefloor pull across the ‘Itkar’ EP

Acid Pauli & Stimming unite on All Is Acid with stunning tracks across ‘Große Wellen’

Rebecca Besnos
Alt/Electronica, Reviews
20 August 2026

Acid Pauli and Stimming, two artists with decades of influence across electronic music and a shared instinct for deep, unconventional club sounds, come together on Acid Pauli’s All Is Acid label.

‘Große Wellen’ (big waves) grew out of a single studio session between Acid Pauli and Stimming, with the easy chemistry between the two friends carrying through into the finished track. Alongside it comes two solo exclusives, with each artist contributing one.

Acid Pauli’s ‘Trancehouse Tony’ takes its name from a character in Ruede Hagelstein’s novel DJs Are Dead, unfolding like a story and keeping its emotional turn until the final third.

Stimming’s “’Drama in Dmoll’ pairs a simple, melancholic piano motif with a deep, elegant beat, before an unusually organic synth line gradually takes the lead. Across both tracks, the tension remains quietly coiled.

The ‘Große Wellen’ EP is available here.

Related

André Moret returns to Sprout with groove-focused subtlety across the ‘Sephira’ EP

AREUBLUE returns to Beats on Time blending Balochi folk traditions with modern club elements via ‘Jiye’

Luc Angenehm explores deeper shades of electronic music across four-track ‘Malone’ EP via Bespoke Musik

Jon Who Jon Who joins forces with GEORGE ANTHONY MUSIC for piano-driven, feel-good house cut ‘Glass Houses’

Sofian debuts on mobilee records with distinct, immersive dancefloor pull across the ‘Itkar’ EP

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